IMAG (Image Magnification)
IMAG (Image Magnification) is the live video technique of displaying close-up camera shots on large screens so audiences in large venues can see performers clearly. Standard practice for concerts, conferences, and houses of worship with seating beyond 50-75 feet from the stage.
Understanding IMAG
Image Magnification (IMAG) is the practice of capturing live video of performers, speakers, or action and displaying it on large screens throughout a venue. This allows audiences in large spaces to see facial expressions and details that would be invisible from their seats.
When IMAG is Necessary
**Viewing Distance Thresholds:**
- Under 50 feet: Direct viewing usually sufficient
- 50-100 feet: IMAG recommended
- 100+ feet: IMAG essential for engagement
- Stadium scale: Multiple IMAG screens required
IMAG Technical Requirements
**Camera Systems:**
- Broadcast cameras for primary positions
- PTZ (pan-tilt-zoom) for additional angles
- SDI connectivity (HD-SDI minimum, 3G-SDI preferred)
- Genlock capability for multi-camera switching
**Video Switching:**
- Production switcher for live cuts
- Multi-view monitors for director
- Recording capability for archival
- Graphics overlay system
**Signal Path to LED:**
- Switcher output → Processor → LED wall
- Maintain proper color space throughout
- Minimize latency (critical for sync with live audio)
IMAG Best Practices
**Camera Positioning:**
- Center camera for straight-on shots
- Side cameras for alternative angles
- Follow-spot positions for consistent lighting
**Framing Guidelines:**
- Headroom appropriate for motion
- Rule of thirds for composition
- Tighter shots for impact
- Wide shots for context
**LED Wall Considerations:**
- Brightness matched to venue lighting
- Color temperature consistent with stage
- Refresh rate suitable for camera capture
- Processing latency minimized
Common IMAG Challenges
**Audio Sync:** LED processing adds 1-2 frames of latency. For venues where audience sees both performer and screen, this delay is usually acceptable. For broadcast, frame-accurate sync is required.
**Lighting Conflicts:** Stage lighting designed for live audience may not suit cameras. IMAG-ready events add camera-friendly front light.
**Screen Placement:** Screens should not compete with live performers but should be visible to all seating sections.
Frequently Asked Questions
What camera equipment do I need for IMAG?
Professional IMAG typically uses broadcast-quality cameras (PTZ or manned) with SDI output, connected to a video switcher. For LED walls, cameras should support genlock for frame synchronization. Popular choices include PTZ cameras for unmanned operation and broadcast cameras like Sony or Panasonic for manned positions.
How does LED wall refresh rate affect IMAG?
When displaying IMAG content, the LED wall must have sufficient refresh rate (3840Hz+) to avoid visible scan lines or flicker when recorded by other cameras in the venue. This is especially important when the LED wall itself appears in broadcast feeds or recordings.
What resolution should an IMAG screen be?
IMAG screens prioritize size over resolution since viewers are far away. A 2.9mm-4mm pixel pitch is common because the content is simple (faces, performers) rather than detailed graphics. Screen size matters more than pixel density for audience impact.
Related Terms
LED Processor
ProcessingAn LED processor is the video processing device that receives input signals (HDMI, SDI, DisplayPort)...
SDI
ConnectivitySDI (Serial Digital Interface) is the professional broadcast standard for video transmission, using ...
Refresh Rate
PerformanceRefresh rate measures how many times per second an LED display updates its image, expressed in Hertz...
Genlock
ProcessingGenlock (generator lock) synchronizes LED display refresh timing to an external reference signal, ty...
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